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Less well remembered is the fact that she was also the first African American nominee. I chose The Ghost Breakers to remember him, given that he was close to being half a comedic double act with Bob Hope in it, but he still had to deal with spook jokes and dialogue like, ‘You look like a blackout in a blackout.’ It was 1940, after all, only a year after Hattie McDaniel had become the first African American winner of an Academy Award for her performance in Gone with the Wind. A couple of years ago, I took a look at how outrageously racist Hollywood was back in its classic era, while celebrating the career of Willie Best, a massively talented African American actor who began his career as Sleep n’ Eat and was given next to nothing to do for decades well, except act lazy, eat watermelon and roll dice. Movies like this are shocking realisations of how far we’ve really come and how quickly because they chart the passage of time.

There are no real hisses or pops to report, and the score of Dimitri Tiomkin ( Strangers on a Train, Dial M for Murder) comes through nicely.Watching the news lately, it sometimes seems like we’ve hardly progressed at all in the world of race relations. The DTS HD Mono audio doesn’t offer any real depth, or range, but dialogue is clear. This represents a definite step up from the standard DVD. Detail is okay, but nothing extraordinary and depth is minimal. The black levels look pretty good, and the heavy contrast adds some nice heft to the presentation. As a result, a few scratches and specks can be seen throughout.

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Presented in the 1.37:1 aspect ratio, Olive Films hasn’t done a full restoration on this one. Stanley Kramer called it High Noon, a title he used a few years later. It’s clear that Moss is trying his best to make some sort of connection to a white world that has repeatedly rejected him.Īn interesting side note: Home of the Brave was shot in secret. His tension and sensitivity is palpable throughout. The real power of the film comes from the unforgettable performance by James Edwards. Before this, no film had really dared to make such statements. The doctor isn’t afraid to say that 150 years of slavery and racism have affected Moss. Truman integrated the armed services, it packs an emotional punch. Released just a year after President Harry S. Though the Home of the Brave may seem cautious today, when viewed in context, it’s quite moving. One says, “Divided we fall, united we stand, coward take my coward’s hand.” But the letter he still can’t forget is the last one that starts out, “Dearest, this is the hardest letter I’ve ever had to write.” War has many costs… Mingo speaks often of his wife, who writes poetry. Finch and Moss revive the friendship they enjoyed years before, and even discuss opening a bar together after the war. However, he’s told to use anyone who can help, be they purple or otherwise.ĭuring their mission on the island, the men work to carry out their mission despite some tension. Initially, Robinson is none too pleased that his superior has sent a colored surveyor. Finch recognizes Moss as an old friend and basketball teammate from their schooldays. Everett (Steve Brodie), a cartographer named Finch (Lloyd Bridges) and a disgruntled sergeant named Mingo (Frank Lovejoy). The racism that was a part of everyday American life had made him feel “outside the human race.” As a surveyor, he volunteered to join the team put together by 26-year-old Major Robinson (Douglas Dirk) that includes the bigoted Corporal T.

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He had faced a lifetime of prejudice, and didn’t know how to deal with it. Moss’ experiences on the island were simply the last straw.

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Repeatedly excluded, and treated cruelly, he had cracked under the pressure.

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Through a series of treatments, the unnamed doctor uncovers that Peter endured lots of harassment while on a special five-man mission to a Japanese-held island. Now in a military hospital, a sympathetic army doctor (Jeff Corey) is trying to uncover the psychological cause of his paralysis. Set during World War II, and told through a series of flashbacks, the story describes the gradual emotional breakdown of African American private Peter Moss (James Edwards). Kramer substituted an African American character for the Jewish protagonist. In the play, the hero was a young Jewish soldier, the victim of anti-Semitism within the military. Kramer, famous for making “message” movies throughout his career, made one significant change. Independently produced by Stanley Kramer ( High Noon, Guess Who’s Coming to Dinner), Home of the Brave was based on the successful Broadway play by Arthur Laurents.

Home of the brave movie 1949